Zen master Dōgen 道元, the founder of the Sōtō sect in medieval Japan, is often referred to as the leading classical philosopher in Japanese history and one of the foremost exponents of Mahayana Buddhist thought. His essays, sermons and poems on numerous Buddhist topics included in his main text, the Shōbōgenzō 正法眼蔵, reflect an approach to religious experience based on a more philosophical analysis of topics such as time and temporality, impermanence and momentariness, the universality of Buddha-nature and naturalism, (...) and the role of language and emotions in the experience of enlightenment, as well as practical matters such as ethics and the precepts or meditation and daily activity, than is generally found in the writings of most thinkers in the Japanese Zen school. The single main element in Dōgen’s unique approach to Buddhist theory and practice is his emphasis on the multiple meanings of “impermanence” in personal experience and as the basis for Buddhist metaphysics. In particular, he emphasizes the radical impermanence of each and every phenomenon and the need to attain spiritual realization by acknowledging and identifying, rather than resisting or denying, the ephemeral nature of reality. The notion of impermanence or the transiency of all aspects of human and natural existence has always been a fundamental feature of the Buddhist teaching since the sermons of the Buddha dealing with the doctrines of anātman and anitya regarding the insubstantial, selfless nature of things. However, Dōgen repeatedly cautions against any subtle tendency to view ultimate reality––nirvāṇa or the universal “Buddha-nature” ––as an eternal realm separable from, or independent of, impermanence. Instead, he stresses that a full, unimpeded, and perpetually renewed experience of impermanence and of the unity of “being-time” is the touchstone and framework of every aspect of Buddhist meditative training and spiritual realization. Other key doctrines related to this are the “spontaneous here-and-now manifestation of Zen enlightenment”, the “eternal moment of meditation”, the “immediacy of awakening”, and “impermanence-Buddha-nature”. In addition to looking at Dōgen’s poetic writings on aesthetic experience, later writings on karma and supernaturalism will be briefly examined for their contributions to his philosophical discussions of mystical awareness and the issues of commitment and responsibility involved in authentic religious practice. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Walking the Bodhisattva Path/Walking the Christ PathU.S. Conference of Catholic BishopsCatholics and Buddhists brought together by Dharma Realm Buddhist Association, the San Francisco Zen Center, and the United States Conference of Catholic Bishops (USCCB) met 20-23 March 2003 in the first of an anticipated series of four annual dialogues. Abbot Heng Lyu, the monks and nuns, and members of the Dharma Realm Buddhist Association hosted the dialogue at the (...) City of Ten Thousand Buddhas in Talmage, California. The community had transformed their Confucius Hall into a chapel, with a large, newly constructed wooden cross on a wall above an altar facing out from a raised platform, so the Catholic delegation would have a space for worship. A special poster announcing the theme of the conference, "Walking the Bodhisattva Path/Walking the Christ Path," showing a Buddhist dharma wheel at one foot of a bridge and a Celtic cross at the other foot, had been created by the hosting community.The daily schedule for the dialogue did not interfere with the monastic routine at the City of Ten Thousand Buddhas, which included early morning chanting (4:00-5:00 am), daily rituals in the Buddha Hall, and the single large meal for monastics before noon to which all participants were invited. Catholics and Buddhists meeting in the dialogue began each day with an optional forty-five minutes of quiet sitting together in the monastery meditation hall, each following their own form of meditation and prayer. There was a Eucharist on Friday and Saturday evenings for the Catholics and to which the Buddhists were invited, and additional meals of breakfast and supper throughout the meeting at the City's Jyun Kang Restaurant.Fourteen Buddhists and fourteen Catholics participated in the formal discussions. Each participant spoke on what it means to them to follow Christ or the way of the Bodhisattvas or enlightened beings. In addition to speaking, each participant distributed a short passage, usually from a traditional text, on this topic. Several passages from Master Dogen's Shobogenzo and the Gospel of John were among those shared by the group. Other passages shared were taken from the Avatamsaka Sutra and the Shurangama Sutra and from the other gospels and the writings of Zen master HakuinZenji, the Dalai Lama, Korean Zen Master I-sahn Hye-yeon, the teachings of Master [End Page 247] Hsuan Hua, Shantideva, Origen, St. Ignatius, St. Benedict, the author of The Cloud of Unknowing, St. John of the Cross, and Chiara Lubich. A minute of silence separated the fifteen-minute segments for each presentation. With so large a group, most of the time in the formal sessions involved listening to series of presentations; however, during discussion periods the participants asked several challenging questions of one another.Some participants noted the tension they felt between belonging to a particular religious group and the need to let go of any consequential narrowness. The goal of the discussion was to promote understanding of the differences and similarities between Christianity and Buddhism. At one point, the participants noted several concerns about mutual enrichment: whether Buddhist methods can be separated from Buddhism and Christian methods from Christianity, and what specific aspects of Christian practice truly enrich Buddhists and which Buddhist practices likewise enrich Christians. Several times participants discussed their understanding of terms such as transformation, grace, the incarnation and the passion of Jesus, discernment of spirits, prayer, Buddha-nature, and related terms. There was consensus that Buddhists and Catholics can practically help one another regarding mental cultivation and religious precepts. They expressed this consensus in their choice of the topic forthe next dialogue, "Transformation of Hearts and Minds: Chan/Zen-Catholic Approaches to Precepts."The group agreed to reconvene in 2004 to respond to six presentations, three from each side, on different aspects of this topic.Chairing the sessions were Rev. Heng Sure for the Dharma Realm Buddhist Association, Rev. Taigen Dan Leighton for the San Francisco Zen Center, and Bishop John Webster for the United States Conference of Catholic Bishops. Their three organizations are the sponsors of the Northern California Chan/Zen-Catholic Dialogue. Chan and Zen are respectively the Chinese and Japanese terms for the meditation school... (shrink)

Zen Masters of Japan is the second book in a series that traces Zen's profoundly historic journey as it spread eastward from China and Japan, toward the United States. Following Zen Masters of China, this book concentrates on Zen's significant passage through Japan. More specifically, it describes the lineage of the great teachers, the Pioneers who set out to enlighten an island ready for an inner transformation based on compassionate awareness. While the existing Buddhist establishment in Japan met early Zen (...) pioneers like Dogen and Eisai with fervent resistance, Zen Buddhism ultimately perservered and continued to become further transformed in its passage through Japan. The Japanese culture and Japanese Buddhism practices further deepened and strengthened Zen training by combining it with a variety of esoteric contemplative arts--the arts of poetry, the tea ceremony, calligraphy, and archery. Zen Masters of Japan chronicles this journey, and shows how the new practices soon gained in popularity among all walks of life--from the lowly peasant, offering a hope of reincarnation and a better life; to the Samurai warrior due to its casual approach to death; to the ruling classes, challenging the intelligentsia because of its scholarly roots. A collection of Zen stories, meditation, and their wisdom, Zen Masters of Japan also explores the illusive state of 'No Mind' achieved in Japan that is so fundamental to Zen practices today. (shrink)

Zen is not just about what we do in the meditation hall, but what we do in the home, the workplace, and the community. That's the premise of this book: how to cook what Zen Buddhists call "the supreme meal"—life. It has to be nourishing, and it has to be shared. And we can use only the ingredients at hand. Inspired by the thirteenth-century manual of the same name by Dogen, the founder of the Japanese Soto Zen tradition, this (...) book teaches us how we can "enlarge the family we're feeding" if we just use some imagination. Bernie Glassman founded Greyston Bakery in Yonkers, New York, in 1982 to employ those whom other companies deem unemployable—the homeless, ex-cons, recovering addicts, low-skill individuals—with the belief that investing in people, and not just products, does pay. He was right. Greyston has evolved into an $8 million-a-year business with clients all over New York City. It is the sole supplier of brownies to Ben & Jerry's Ice Cream, and has even sold cakes to the White House. But financial profit is only one of two bottom lines that Greyston is committed to. The other one is social impact, and this goal is certainly being met. The bakery enterprise has led to the creation of the Greyston Foundation, an integrated network of organizations that provide affordable housing, child care, counseling services, and health care to families in the community. Using entrepreneurship to solve the problems of the inner city, Greyston has become a national model for comprehensive community development. Its giving back is more than just sloughing off a percentage of its profits and donating it to charity; it's about working with the community's needs right from the beginning—bringing them from the margins to the core. As its company motto goes, "We don't hire people to bake brownies. We bake brownies to hire people." This book is as much a self-manual as a business manual, addressing such concepts as • Beginner's mind • The Middle Way of Sustainability • The "hungry ghosts" of Buddhism as a picture of all humanity • Working with our faults • Indra's Net and the interconnectedness of life • Leaving no trace. (shrink)

Zen advocates returning to a childlike state of mind, unburdened by the conceptual baggage that marks what people typically call “adult” and “mature” thinking – baggage that includes concepts of the self, of the future, and of hoarding worldly goods so one's future self will live comfortably. This chapter begins with a Zen master whose own life story is worthy of a Disney movie. His name is Dogen Kigen. Dogen chose the monastic path because he wanted the (...) opposite of escape: liberation. If the three marks of existence are the problem, the solution is not to flee them. Rather, it is to make peace with them. Rather, it is to make peace with them. If one can do that, maybe he/she can even reach a deeper level of insight: they were never the problem in the first place. (shrink)

Thinkers like Slavoj Žižek and Tim Morton have heralded the end of our ideological constructions of nature, warning that popular “ecology” or the “natural” is just the latest opiate of the masses. Attempting to think what I call Nature after Nature, I turn to the Kamakura period Zen master Dōgen Eihei (1200–1253) to explore the possibilities of thinking Nature in its non-ideological self-presentation or what Dōgen called “mountains and rivers (sansui).” I bring Dōgen into dialogue with his great champion, (...) the American poet Gary Snyder (who understands the process of sansui as “the wild”), as well as with thinkers as diverse as Schelling, Kundera, Žižek, Agamben, and Muir. Beyond Nature being any one thing, what Badiou derides as the “cosmological one,” I argue for the reawakening and sobering up to multiple Nature, beyond its appearance as an object to a discerning subject, as the bioregions which give us our interdependent and dynamic being. (shrink)

Revitalized interest in "the virtues" has affected the study of Buddhism in recent years, and in this regard we may benefit by focusing on the Zen Master Dōgen (1200-1253). Seeking to describe Dōgen's moral virtues, we might begin by a study of his primer, the "Shōbōgenzō" Zuimonki; a particularly efficacious template for this project would appear to be one provided by Edmund L. Pincoffs in his book "Quandaries and Virtues: Against Reductivism in Ethics". This "modus operandi" reveals Dōgen's exhortation (...) of a broad array of mandatory and nonmandatory virtues, partially depend- ing on whether or not the intended recipient is a layperson or one leading the religious life. If valid, this description may benefit Dōgen Studies as well as contribute to, and encourage, other "Western" efforts to articulate Buddhist ethics. (shrink)

The consummate Soto Zen master, Dogen (1200?1253), expressed himself in creative ways that reflected fundamental insights of Chan/Zen Buddhism while responding to the needs of his time and place, i.e., Kamakura era Japan. His early training in Tendai and Rinzai Zen lent rigor and force to his Soto Zen experiences and expressions. This paper explores Dogen's new light on causality and morality purity, vis-à-vis Song dynasty Chan approaches by examining (1) his comments, early (1244) and late (ca. (...) 1252), on the Fox Koan, and (2) his discussions about Dream and ?veridical? experience. By showing the inexorability of causality, Dogen revealed the need for moral purity in achieving enlightenment qua freedom. Even in the vertigo of emptiness, the purified Soto Zen Buddhist adept discerns and effects equilibrium and, by extension, fairness, in experience, practice and affairs, as ongoing endeavors, as skilful means to impact and transform, not just Buddhist adepts, but one's world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Zen War StoriesSteven HeineZen War Stories. By Brian Daizen Victoria. London and New York: Routledge-Curzon, 2003. Pp. xviii + 268. Hardcover $124.95. Paper $34.95.Brian Daizen Victoria's Zen War Stories, following his highly acclaimed but also highly provocative Zen at War (Weatherhill, 1997), continues his withering attack on the embracing of wartime ideology by leading Zen masters and practitioners in Japan. Victoria seeks to show that the attitude characteristic (...) of numerous examples of prominent Zen monks and scholars was not simply a matter of benignly resisting, or even passively accepting, the rhetoric of Imperial Way Buddhism by clergy who were under pressure and powerless to stand up to the authorities. Nor was it an example of innocently recognizing historical and ideological affinities between Zen monastic discipline and military training.On the contrary, the Zen masters discussed here eagerly and enthusiastically endorsed some of the most excessive and reprehensible aspects of imperial ideology in the name of a corrupted vision of spiritual realization as a tool to spread the doctrine of the Greater East Asia Co-prosperity Sphere. They also used Zen wedded to hyper-nationalism and imperialism as a tool to misread the historical records of their own tradition and to help transport Japanese supremacy to China and Korea, while refusing to acknowledge or repent for their actions with the defeat of Japan. This outlook also infected numerous politicians and military figures, who turned to Buddhism as a way of explaining away or masking their roles leading up to, as well as during and after, World War II.In part 1 of Zen War Stories Victoria documents several masters who have become icons in the West for their apparent adherence to a Zen tradition linked with an ability to address contemporary culture. After showing in chapter 4 that Ōmori [End Page 345] Sōgen, praised for his prowess in swordsmanship and other arts, had a fascistic, "Mr. Hyde" side as manifested in the founding in 1932 of the Kinnō Ishin Dōmei (League for Loyalty to the Emperor and the Restoration), Victoria turns to the case of Yasutani Haku'un. In chapter 5, "Zen Master Dōgen Goes to War," we find that Yasutani, known as the teacher of Philip Kapleau and the inspiration for The Three Pillars of Zen, wanted to smash all universities for being traitors. He was a fanatical militarist who "transformed the life and thought of Zen Master Dōgen (1200-1253), the thirteenth-century founder of the Sōtō Zen sect in Japan, into a propaganda tool for Japanese militarism" (p. 68).In particular, Yasutani tried to argue that Dōgen's famed pilgrimage to Song China in 1223 was triggered not by a longing for the Buddhist Dharma but by a disgust with the new shogunate and an infatuation with preserving the Imperial House. According to Victoria, Yasutani's corrupted spirituality did not end with a support for militarism. He was also even more "ethnic chauvinist, sexist, and anti-Semitic" (p. 68) than his teacher Harada Daiun Sōgaku, whose "most memorable wartime quote is: '[If ordered to] march: tramp, tramp, or shoot: bang, bang. This is the manifestation of the highest Wisdom [of enlightenment]"' (pp. 66-67).After discussing in chapter 7, "Zen 'Selflessness' in Japanese Militarism," how Zen's historical relation to the samurai was misinterpreted to support the imperial ideology concerning the acceptance of death by D. T. Suzuki and other prominent representatives of Zen, including former Eiheiji temple abbot Kumazawa Taizen, part 2 takes up examples of the involvement with Buddhist thought by military and political leaders. While this section is less devastating as a critique of Zen than of Japanese Buddhism and society in general, Victoria explains in chapter 10, "Buddhism-The Last Refuge of War Criminals," how easily the moral basis of religion can be distorted and subverted. For example, as recollected by Buddhist studies scholar Hanayama Shinshō, seven Class A war criminals who had been condemned to death continued, while on death row, to cling hypocritically to Buddhism to find some feeling of solace. For instance, Hirota Kōki never abandoned his attachment to Zen and the warrior class and... (shrink)

Dōgen: Textual and Historical Studies is an impressive volume that marks a significant leap forward in the study of Zen Master Eihei Dōgen, founder of the Japanese Sōtō School. Dōgen’s life and thought are closely examined in light of the wider historical and religious contexts of Song dynasty China and the Kamakura era in Japan. This collection offers a careful consideration of Dōgen’s rich literary legacy by examining his significance situated as he was at the historical crossroads between the (...) Chinese Chan tradition and the birth of Japanese Zen. In particular, the volume contemplates the manner in which Dōgen’s historical — perhaps mythological — figure has been endorsed and cultivated by the Sōtō.. (shrink)

The representational mode of thinking assumes a correspondence between appearance and reality that is supported by a metaphysical edifice. This way of thinking uses the metaphor of the mirror, which suggests a reflected image of consciousness and confusion between the representation and original consciousness. Jacque Derrida, a leading postmodern philosopher, wants to overcome the mode of representational thinking and extricate himself from it by attempting to think and emphasize differences. Like Derrida, the Daoist sage Zhuangzi and the Japanese Zen (...) class='Hi'>master Dōgen also seek to avoid representational thinking; however, these Eastern philosophers accomplish this in a very different way. This paper will compare their differences with respect to overcoming the representational mode of thinking. (shrink)

This article presents a new approach to Japanese Zen Buddhism, alternative to its traditional views, which lack exact definitions of the relation between the meditator and the Buddha’s ultimate cause, dharma. To this end, I offer a comparative analysis between Zen Buddhist and Christian views of causality from the medieval to early modern periods. Through this, human causation with dharma in the Zen Buddhist meditations can be better defined and understood. Despite differences between religious traditions in deliberating human causal accounts, (...) there are parallel ways of thinking and practicing between Christian and Buddhist meditators. Firstly, I reconstruct three sorts of Christian scholastic theories of creaturely causality: conservationism, occasionalism, and concurrentism. Secondly, Zen Buddhist doctrines are introduced by placing particular emphasis on dharma as causal agency. Focusing on the Japanese Zen practice of meditation, finally I expound two theories of human causality: Sōtō Zen quasi-occasionalism following Master Dōgen’s teaching of enlightenment, and Rinzai Zen quasi-concurrentism given the meditator’s interactive kōan practice. Hence, my comparative analysis explains why religious beings are causally active, passive, or interactive in relation to the first agency, God or dharma, whereby systematically establishing alternative definitions of human causality in Zen Buddhism. (shrink)

Originally published in 1980. Dogen was the founder of the Soto School of Zen and one of the most influential thinkers in the history of Japanese Buddhism. When originally published, this historical and textual study was the first to examine in detail the line of continuity between Dogen and his Chinese predecessors, through his Chinese master, Ju-ching.

Erwin Schrödinger holds a prominent place in the history of science primarily due to his crucial role in the development of quantum physics. What is perhaps lesser known are his insights into subject-object duality, consciousness and mind. He documented himself that these were influenced by the Upanishads, a collection of ancient Hindu spiritual texts. Central to his thoughts in this area is that Mind is only One and there is no separation between subject and object. This chapter aims to bridge (...) Schrödinger’s view on One Mind with the teachings of Dōgen, a twelfth century Zen master. This bridge is formed by addressing the question of how time relates to One Mind, and subject-object duality. Schrödinger describes the experience of One Mind to be like a timeless now, whereas subject-object duality involves a linear continuum of time. We show how these differing positions are unified in the notion of ‘absolute present’, which was put forward in the philosophy of Nishida Kitarō (1871–1945). In addition, we argue that it is in this notion of absolute present that the views of Schrödinger, Dōgen and Nishida meet. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Aquinas and Dōgen on Entrance into the Religious LifeDouglas K. MikkelsonComparative studies of Christianity and Buddhism have the potential to draw on a wide array of dialogic partners from their respective histories. Two promising candidates are Thomas Aquinas (1225–1274) and Dōgen (1200–1253). Aquinas was the angelic doctor whose theological thinking became normative for Roman Catholicism; Dōgen was the prominent Zen master whose influence on the intellectual development of (...) Zen Buddhism is unsurpassed. As it happens, both men "entered into the religious life," and within their respective collected works we see considerable attention to the topic. If we seek to explore what they had to say on the subject, we might benefit by identifying some texts from both thinkers that could serve as focal points for a comparative analysis. Of the massive accumulated writings of both men, the largest are Aquinas's Summa Theologiae and Dōgen's Shōbōgenzō. So it seems logical to start our search by turning our attention to these monumental works.Let us begin with the Summa Theologiae. In the secunda secundae Aquinas addresses a total of 189 topics presented in a question-and-answer format. The first 170 topics concern "themes related to all stations of life"; questions 171–189 explore "details related to particular callings" (2a2ae, Prologus). Question 189, hereinafter identified as 2a2ae q. 189, is specifically devoted to the topic of "entering the religious life" (de ingressu religionis).1When we turn to the Shōbōgenzō, we find a work titled Shukke Kudoku. "Kudoku" means "merit"; "shukke," commonly translated as "leaving home," denotes a person who has renounced home and family in order to enter monastic life. Thus "Shukke Kudoku" can be rendered in English as "The Merit of Entering the Religious Life."2Given that these texts are relatively accessible and substantive presentations of comparable length on issues pertaining to the religious life, they seem to be good focal points for this discussion. At the same time, both thinkers addressed the subject in other venues also, and we can briefly refer to this material as well. But in this article I will primarily concentrate on how a comparative analysis of these two texts illuminates the subject. Defining the discussion in this fashion has the advantage of presenting Aquinas's and Dōgen's views in a particular time and place, leaving aside the more complex issue of how their views may have changed over time. [End Page 109]Let us begin with Aquinas. Aquinas begins 2a2ae q. 189 by outlining ten points of inquiry to be pursued, in effect dividing the question into ten subquestions. The first on the list is "whether those alone should enter religious life who are practiced in keeping the commandments." The commandments he means, of course, are the precepts of the decalogue, the Ten Commandments of Exodus 20:17 and Deut. 5:6–21.Aquinas's standard modus operandi was to first entertain arguments leading to aconclusion opposing his own. In this question he outlines five lines of argument, and in each instance the arguments lead to the assertion that one should not practice the counsels "until one is practiced in keeping the commandments" (nisi prius sit exercitatus in praeceptis); by "counsels" Aquinas means the observance of poverty, chastity, and obedience that are undertaken by those who enter the religious life. As he had explained previously, "The difference between a counsel and a precept lies in this, that a precept implies necessity, while a counsel is left to the choice of the one to whom it is given" (1a2ae q. 108.4).3 Precepts such as the commandments, in other words, enjoin an obligation; counsels are optional.We will discover Aquinas's own answer soon, but we should first note how Aquinas begins his discussion of entrance into the religious life. He begins by posing a question about whether or not one practiced in keeping the commandments should enter the religious life. In the course of answering his own question, he essentially reframes it, seeking to explore whether or not one should practice the counsels before one has become adept at keeping the commandments. For Aquinas, both formulations... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Zen War StoriesSteven HeineZen War Stories. By Brian Daizen Victoria. London and New York: Routledge-Curzon, 2003. Pp. xviii + 268. Hardcover $124.95. Paper $34.95.Brian Daizen Victoria's Zen War Stories, following his highly acclaimed but also highly provocative Zen at War (Weatherhill, 1997), continues his withering attack on the embracing of wartime ideology by leading Zen masters and practitioners in Japan. Victoria seeks to show that the attitude characteristic (...) of numerous examples of prominent Zen monks and scholars was not simply a matter of benignly resisting, or even passively accepting, the rhetoric of Imperial Way Buddhism by clergy who were under pressure and powerless to stand up to the authorities. Nor was it an example of innocently recognizing historical and ideological affinities between Zen monastic discipline and military training.On the contrary, the Zen masters discussed here eagerly and enthusiastically endorsed some of the most excessive and reprehensible aspects of imperial ideology in the name of a corrupted vision of spiritual realization as a tool to spread the doctrine of the Greater East Asia Co-prosperity Sphere. They also used Zen wedded to hyper-nationalism and imperialism as a tool to misread the historical records of their own tradition and to help transport Japanese supremacy to China and Korea, while refusing to acknowledge or repent for their actions with the defeat of Japan. This outlook also infected numerous politicians and military figures, who turned to Buddhism as a way of explaining away or masking their roles leading up to, as well as during and after, World War II.In part 1 of Zen War Stories Victoria documents several masters who have become icons in the West for their apparent adherence to a Zen tradition linked with an ability to address contemporary culture. After showing in chapter 4 that Ōmori [End Page 345] Sōgen, praised for his prowess in swordsmanship and other arts, had a fascistic, "Mr. Hyde" side as manifested in the founding in 1932 of the Kinnō Ishin Dōmei (League for Loyalty to the Emperor and the Restoration), Victoria turns to the case of Yasutani Haku'un. In chapter 5, "Zen Master Dōgen Goes to War," we find that Yasutani, known as the teacher of Philip Kapleau and the inspiration for The Three Pillars of Zen, wanted to smash all universities for being traitors. He was a fanatical militarist who "transformed the life and thought of Zen Master Dōgen (1200-1253), the thirteenth-century founder of the Sōtō Zen sect in Japan, into a propaganda tool for Japanese militarism" (p. 68).In particular, Yasutani tried to argue that Dōgen's famed pilgrimage to Song China in 1223 was triggered not by a longing for the Buddhist Dharma but by a disgust with the new shogunate and an infatuation with preserving the Imperial House. According to Victoria, Yasutani's corrupted spirituality did not end with a support for militarism. He was also even more "ethnic chauvinist, sexist, and anti-Semitic" (p. 68) than his teacher Harada Daiun Sōgaku, whose "most memorable wartime quote is: '[If ordered to] march: tramp, tramp, or shoot: bang, bang. This is the manifestation of the highest Wisdom [of enlightenment]"' (pp. 66-67).After discussing in chapter 7, "Zen 'Selflessness' in Japanese Militarism," how Zen's historical relation to the samurai was misinterpreted to support the imperial ideology concerning the acceptance of death by D. T. Suzuki and other prominent representatives of Zen, including former Eiheiji temple abbot Kumazawa Taizen, part 2 takes up examples of the involvement with Buddhist thought by military and political leaders. While this section is less devastating as a critique of Zen than of Japanese Buddhism and society in general, Victoria explains in chapter 10, "Buddhism-The Last Refuge of War Criminals," how easily the moral basis of religion can be distorted and subverted. For example, as recollected by Buddhist studies scholar Hanayama Shinshō, seven Class A war criminals who had been condemned to death continued, while on death row, to cling hypocritically to Buddhism to find some feeling of solace. For instance, Hirota Kōki never abandoned his attachment to Zen and the warrior class and... (shrink)

Mae Smethurst’s work has largely aimed to articulate nō theater in Western terms from their early roots, primarily through Aristotle’s On Tragedy. Her detailed examination of the shared structure of the content of these independent and superficially dissimilar arts reveals their mutual intelligibility and effectiveness through shared underlying universals. In this spirit, I outline how Zeami answers Plato’s first challenge to artistic performance, as expressed in Ion where Plato argues that rhapsody is not an art [techné] because it requires no (...) mastery. (Rhapsodes are instead vehicles of the divine.) This challenge to poetic performing arts, that is, to their claim to be arts at all, determines criteria by which we may judge any putative art, including sarugaku and its elevation to nōgaku. Though Zeami was unaware of Plato’s challenge, he nevertheless answers it in a way that brings Plato’s own assumptions and conceptual framework into relief. In this article I outline the first step of Zeami’s reply to Plato, how nō satisfies the criteria for mastery of a subject, with some help from zen master Dōgen. The focus of this article is twofold: 1) an examination of the ways Plato’s conception of a masterable subject entails metaphysical and epistemic tenets that may be revised or rejected in Buddhist tradition, and 2) a study of the means through which the sense of mindlessness that allegedly precludes rhapsody (and kamigakari) from qualifying as art (techné/michi) contrasts with the mushin and isshin of nō (and zazen). (shrink)

In this essay I hope to make some new contributions to the philosophical opening occasioned by John Sallis’ articulation of an “elementology” more broadly and by his turn to Guo Xi’s exquisite Song Dynasty shan-shui scroll painting, Early Spring more particularly. I do so by bringing the remarkable writings by the American poet and thinker Gary Snyder, especially in relationship to his reading of the great Kamakura Zen Master Eihei Dōgen, directly into the fray of contemporary Continental discourses on (...) the elemental and the ecological. At the heart of this project is Snyder’s development of Dōgen’s elemental discourse of “mountains, rivers, and the great earth.” Like Sallis’ own efforts to recast language into a more elemental discourse, this essay will also focus on the manners of speaking specific to the philosophical and poetic self-presentation of the elements, including the relationship between the philosophical and the artistic as such. (shrink)

How are the teachings of a thirteenth-century master relevant today? Twenty contemporary writers unpack Dogen's words and show how we can still find meaning in his teachings. Engaging Dogen's Zen is a practice oriented study of Shushogi (a canonical distillation of Dogen's thought used as a primer in the Soto School of Zen) and Fukanzazengi (Dogen's essential text on the practice of "just sitting," a text recited daily in the Soto School of Zen). It is (...) also a study of the entire self. Here, the principles of Soto Zen practice are unpacked and explained by leading contemporary Buddhists from the living tradition--monks, priests, academics, and community teachers. Tackling Dogen's approach to key issues, such as the preeminence of shikantaza, universal buddha nature, and what it means to be a Mahayana Buddhist, the contributors to the volume help Zen practitioners and any who are trying to deepen their lives to appreciate better the teachings of Soto Zen and make these teachings part of their lives. By revisiting what remains precious in Shushogi and Fukanzazengi, we let them breathe just as we learn to breathe in zazen. We find that Soto practice not only engages Dogen and Sakyamuni, but all of our sisters and brothers, and indeed the great earth itself. Includes essays from Kosho Itagaki, Taigen Dan Leighton, Tenshin Charles Fletcher, Shudo Brian Schroeder, Glen A. Mazis, David Loy, Drew Leder, Steven DeCaroli, Steve Bein, John Maraldo, Michael Schwartz, Tetsuzen Jason M. Wirth, Leah Kalmanson, Erin Jien McCarthy, Dainen David Putney, Steven Heine, Graham Parkes, Mark Unno, Shudo Brian Schroeder, and Kanpu Bret W. Davis. (shrink)

Zen Masters: A Maverick, a Master of Masters, and a Wandering Poet. John Stevens. Kodansha International, Tokyo 1999. 161 pp. £8.99. ISBN 4-7700-2385-5.

A uniquely playful and incisive illustrated collection of Zen teaching stories from one of America's best-known and most-respected Zen masters. A Modern Classic. In the tradition of the great koan collections and the extensive records of ancient masters, Robert Aitken--one of America's best-known and most-respected Zen masters--distills a lifetime of teaching down to its essence. Intriguing, playful, and deceptively easy to read, Zen Master Raven is a brilliant encapsulation of Zen in over a hundred koan-like encounters--featuring curious beginners like (...) Mallard and Mole, to teachers-in-training like Porcupine, to the profound wisdom of masters like Brown Bear, Moose Roshi, and Zen Master Raven himself. (shrink)

Zen Masters of China presents more than 300 traditional Zen stories and koans, far more than any other collection. Retelling them in their proper place in Zen's historical journey, it also tells a larger story: how, in taking the first step east from India to China, Buddhism began to be Zen. The stories of Zen are unlike any other writing, religious or otherwise. Used for centuries by Zen teachers as aids to bring about or deepen the experience of awakening, they (...) have a freshness that goes way beyond religious practice and a mystery and authenticity that appeal to a wide range of readers. The author himself was drawn to Zen through the stories and has been collecting them for forty years. He began this book because he was curious about the relationships between the people you read about in the stories: they are historical figures, masters and students in Zen's long passage from India to China and on to Japan. He realized that, placed in chronological order, the stories tell the story of Zen itself, how it traveled from West to East but also how it was transformed in that journey, from an Indian practice to something different in China (Ch'an) and then more different still in Japan (Zen). The fact that its transmission was so human, from teacher to student in a long chain from West to East, meant that the cultures it passed through inevitably changed it. Zen Masters of China is first and foremost a collection of mind-bending Zen stories and their wisdom. More than that, without academic pretensions or baggage, it recounts the genealogy of Zen Buddhism in China and, through the stories themselves, illuminates how Zen became what it is today. (shrink)

Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the (...) last millennium by the classic literature of this tradition. (shrink)

Chapter 1 What Do Zen Masters Teach Us Today? The Case of Sŏn Master Hyeam Sŏnggwan Jin Y. Park Introduction Korean Sŏn Master Hyeam Sŏnggwan (慧菴性觀, 1920–2001) is a relatively unknown figure within English-language scholarship.1 However, among Korean Buddhists, his rigorous Zen practice has been well recognized. One-meal-per-day (K. ilchongsik 一種食), no-meal-in-the-afternoon (K. ohu pulsik 午後不食), and staying-sitting-in-meditation-without-lying-down (K. changjwa purwa 長坐不臥) are all well-known practices that frequently appear when describing Hyeam as a Zen master. What is (...) less frequently asked is what these rigorous Zen practices might mean to us commoners who live in a secular world or to monastics whose practice might not be as rigorous as Hyeam’s. Should Zen masters such as Hyeam who appear to exhibit superhuman capacity for religious practice be only an object of awe and admiration in our secular modern times? Even if so, what do the awe and admiration indicate? In this chapter, I try to bridge the gap between the rigorous practice typically seen in Korean Zen masters’ lives and its meaning for people living in modern times. What questions does a Zen master like Hyeam raise for us, and how should scholars address these issues? These are the inquiries with which I hope to engage. (shrink)

So striking were the replies of Joshu to students' questions, that it was said that his "lips emitted light." His saysing were extremely influential throughout the Zen tradition and are included in many koan anthologies. Now here is the first full English translation of his sayings, lectures, dialogues, poems, and records from his pilgimages. The translation aims for readability rather than literalness; helpful notes illustrate features from the Chinese that might not be evident in English. A historical introudction by the (...) translator a short biography of Joshu, and a useful glossary make The Recorded Sayings of Zen Master Joshu an invaluable text for any student of Zen Buddhism. (shrink)

"The Tale of Zen Master Bho Li is the story of an eight-year-old orphan who becomes a beloved Zen Master. Meet the cast of memorable companions who assist him on his captivating life's journey: The Firethroat - an exotic little bird that saves him from a life threatening circumstance ; Soyu Sei - the Dangerous Granny whose wise and tender guidance civilizes the feral child he'd become without taming his wild heart ; Master Wu - abbot of (...) Silent Thunder Zen Monastery, whose successor he would become ; and Master Bho Li's three most problematic disciples: Sei Wot, Noh Hui, and Wai Mi, from each of whom he learns an important lesson. (shrink)

Does the Buddhist doctrine of no-self imply, simply put, no-other? Does this doctrine necessarily come into conflict with an ethics premised on the alterity of the other? This article explores these questions by situating Emmanuel Levinas’s ethics in the context of contemporary Japanese philosophy. The work of twentieth-century Japanese philosopher Watsuji Tetsurō provides a starting point from which to consider the ethics of the self-other relation in light of the Buddhist notion of emptiness. The philosophy of thirteenth-century Zen Master (...) Dōgen casts doubt on Watsuji’s commitment to reciprocal self-other relationality, showing that the idea of self-emptiness disrupts any conventional understanding of reciprocity and promotes instead other-oriented compassion. Despite interesting similarities between the ethics of alterity and Buddhist compassion, a Buddhist-influenced understanding of alterity differs from Levinas on important points, by making possible the claim that all others—human, animal, plant, and mineral—are ethical others. (shrink)

Arthur Danto is one of the best Anglophone philosophers of art of the second half of the 20th century. His unique methodology of indiscernibility and provocative claim about the end of art have bee...

Introduction -- The Mysterious record of immovable wisdom -- The clear sound of jewels -- Annals of the Sword Taia.

In lieu of an abstract, here is a brief excerpt of the content:Dynamic Encounters between Buddhism and the West ReportLaura Langone and Alexandra S. IlievaThe following is a summary of the 2021 Postgraduate Conference titled "Dynamic Encounters between Buddhism and the West," which took place online on June 28 and 29. The conference was conceptualized, organized, and run by three AHRC funded PhD students at the University of Cambridge: Laura Langone (Faculty of Modern and Medieval Languages); Alexandra S. Ilieva (Faculty (...) of Divinity); and Harry Harland (Faculty of Law). The conference took place over two days and featured eighteen presenters across six panels, and two keynote speakers. There were speakers from four continents (Europe, North America, Asia, and Oceania). A wide range of topics in multiple fields was discussed: religious studies, neuroscience, art history, politics, philosophy, literature, philology, mathematics, art, and music. Each day consisted of three panels, each with three presentations, one keynote presentation, and a networking session.The keynote speakers were Prof. Albrecht Classen (The University of Arizona) and Prof. Graham Parkes (University of Vienna).Prof. Classen opened the conference with his presentation. He taught us that we have been globalized and transcultural since at least the Middle Ages. To support this claim, he provided us with ample evidence of Buddhist-Western exchanges in Art and Literature dotted throughout the literature and architecture of Europe. Prof. Parkes observed that following Zen Master Dōgen's thought as well as Nietzsche's philosophy we can develop a saner approach to the environment, which provides us with resources to help us to tackle the challenges of the climate crisis.Our first panel was titled "Hellenistic-Buddhist Encounters," which followed on nicely from Prof. Classen's thesis that encounters between Buddhism and the West have been ubiquitous and have dated as far back as the Hellenistic period. Our second panel, "Encounters with the Contemporary World," were impressive examples of intercultural philosophy. Each participant demonstrated a unique ability to bring Buddhist ideas into dialogue with contemporary Western philosophy, specifically ethics, philosophy of mathematics, and epistemology. The third panel, titled "Therapeutic Encounters," taught us of the therapeutic value of Buddhist meditation and philosophical inquiry. As our presenters emphasized, this therapeutic value is not just an ancient artifact to be studied anthropologically, but a relevant and applicable approach to the modern idea of well-being that therefore deserves continued scholarship.On the second day, we started with our fourth panel called "Encounters through Western Conceptual Lenses," which among others gave us insight into the reception [End Page 393] of Japanese Buddhism by the German liberal protestants of the nineteenth century. Our fifth panel—"Encounters with German Philosophy"—was an excellent example of contemporary comparative work between Buddhist philosophy, ethics, and logic, and the German thinkers Hegel and Nietzsche.We learned that Nietzsche labeled Buddhism as nihilism––a position that can be challenged through Ambedkar's reading of Buddhism. On the other hand, despite Nietzsche's criticism of Buddhism, striking similarities between his approach to life and that of Mahāyāna Buddhism can be found, both elaborating a life-affirming philosophy. We also became familiar with similarities and differences between the logic of Nishida and Hegel. Finally, our last panel, "Literary and Artistic Encounters" made for a fitting conclusion, reminding us that Buddhist-Western encounters are ongoing, not just politically and intellectually but also in art, music, and literature. These encounters are dynamic in nature and fundamentally lacking in an essential core. Instead, they are entities that echo through the ages allowing for reinterpretation and reintegration across geographic and temporal scopes.Both during and after the conference we received extremely positive feedback from the participants. The level of participation and enthusiasm was highly promising, showing that the future of intercultural studies of this sort is bright. Graduate conferences like these are key for early career scholars to set up networks and find likeminded peers to engage in ongoing dynamic encounters.In conclusion, this conference served to highlight the sophisticated emerging scholarship taking place that seeks to investigate Buddhist-Western interactions and dialogue. But, perhaps more importantly, the conference itself makes a metapoint: not only has the world been transcultural for many centuries, but the conference itself and in particular the global spatial locations of... (shrink)

For the first time Thich Nhat Hanh shares his inspiration and experience of living in stillness and timelessness. Written to pull you into the moment as he sees it, Inside the Now offers teachings inspired by the spirit of poetry. More personal than the majority of his writing, Inside the Now shares the Zen Master's experience using poetry and meditation to endure and move beyond violence and oppression. Inspired by Being Time by Zen Master Dogen, Thich Nhat (...) Hanh shares short meditations along with revelations from his past to give the reader a sense of entering a space of timelessness. In these meditations, he reveals his own doubts and his own searching. (shrink)

When, after all doubts and despair not only in others, but in oneself, philosophy remains as the only possibility, then this path to truth can be no other than through the I that I am. „Whoever philosophizes, speaks of selfhood; those who do not, do not philosophize.“ After all despair only selfhood remains for me. Being oneself is the reason of all despair and also the reason of all hope. All philosophy must begin here. The philosopher who has explored the (...) problem of selfhood in the intellectual tradion of the West most fundamentally is J.G. Fichte. In the East we find he deepest investigation of selfhood in Zen-Buddhisms, particularly in the teachings of Zen-master Dogen. Both refer selfhood essentially to action: Fichte on „ought“ and striving, and Dogen on meditation, and thus they try to conceive the essence of selfhood. Here the basic relationship of knowledge and life and their relationship is examined for selfhood, and thus the relationship between philosophy and life as well as the problem of what is philosophy.Wenn nach allem Zweifel und aller Verzweifelung, nicht nur am Anderen, sondern auch an einem selbst, nur noch die Moglichkeit des Philosophierens bleibt, kann dieser Weg zur Wahrheit kein anderer sein als der durch das Ich, das ich bin. „Wer philosophiert, redet von Selbstsein; wer das nicht tut, philosophiert auch nicht.“. Nach aller Verzweifelung bleibt fur mich nur das Ich selbst. Das Selbstsein ist der Grund aller Verzweiflung und zugleich der Grund aller Hoffnung. Alle Philosophie muss hier beginnen. Der Philosoph, der in der geistigen Tradition des Westens das Problem des Selbstseins am grundlegendsten erortert hat, ist J.G. Fichte. In der des Ostens findet man die tiefste Erorterung des Selbstseins im Zen-Buddhismus, insbesonders beim Zenmeister Dogen. Beide beziehen das Selbstsein wesentlich auf das Handeln: Fichte auf das Sollen oder Streben und Dogen auf das Uben; und sie versuchen dadurch das Wesen des Selbstseins zu erfassen. Hier soll die Grundbeziehung von Wissen und Leben und ihr Verhaltnis zum Selbstsein untersucht und damit die Beziehung von Philosophie und Leben geklart werden und das Problem, was Philosophie ist. (shrink)

This volume contains essays that offer both historical and contemporary views of nature, as seen through a hermeneutic, deconstructive, and phenomenological lens. It reaches back to Ancient Greek conceptions of physis in Homer and Empedocles, encompasses 13th century Zen master Dōgen, and extends to include 21st Century Continental Thought. By providing ontologies of nature from the perspective of the history of philosophy and of contemporary philosophy alike, the book shows that such perspectives need to be seen in dialogue with (...) each other in order to offer a deeper and more comprehensive philosophy of nature. The value of the historical accounts discussed lies in discerning the conceptual problems that contribute to the dominant thinking underpinning our ecological predicament, as well as in providing helpful resources for thinking innovatively through current problems, thus recasting the past to allow for a future yet to be imagined. The book also discusses contemporary continental thinkers who are more critically aware of the dominant anthropocentric and instrumental view of nature, and who provide substantial guidance for a sensible, innovative “ontology of nature” suited for an ecology of the future. Overall, the ontologies of nature discerned in this volume are not merely of theoretical interest, but strategically serve to suspend anthropocentrism and spark ethical and political reorientation in the context of our current ecological predicament. (shrink)

The theism-atheism debate is foreign to many Mahāyāna Buddhist thinkers such as the Japanese Zen Master Dōgen. Nevertheless, his philosophy of ‘expression’ is able to shine a new light on the various incarnations of this debate throughout history. This paper will explore a/theism from Dōgen’s philosophical standpoint. Dōgen introduces the notion of ‘expression’ to describe the concomitant vertical and horizontal relationships of the religious project, namely the relationship between the individual and the divine as well as the relationship among (...) a multiplicity of individuals, each of which Dōgen conceives of as an expression of the divine and/or the oneness of the cosmos. Dōgen’s philosophy presupposes the ‘way of emptiness’ and Chengguan’s ‘four dharma worlds’. To Dōgen, the former indicates the conventional nature of predication and signification, while the latter denotes the existential interwovenness of numerous individuals and the divine oneness of the cosmos. Such a philosophy implies that all truth claims and philosophical positions are mere intellectual and discursive constructions that are formulated against a perceived other. Therefore, Dōgen observes laconically that ‘when one side is expressed, the other is obscured’ or, as Dōgen says elsewhere, ‘when expression is expressed, non-expression is not expressed.’ Dōgen’s philosophical framework provides some interesting insights about one or more discourses on atheism: Again, the basic assumption is that all philosophical paradigms, systems, and positions are devoid of an absolute truth value, framed in a specific cultural and historical context which they express, and formulated vis-à-vis a perceived other. In this paper, I will look at Friedrich Nietzsche’s atheism from the perspective of Dōgen’s philosophical standpoint. Concretely, I will present Nietzsche’s position on his own terms, translate his philosophy into Dōgen’s terminology, interpret his philosophy from the standpoint of Dōgen’s philosophical approach, and assess the utility of such an exercise. I believe that such a project enables us to read theism through the eyes of atheism, atheism through the eyes of theism, both through the eyes of Dōgen, and Dōgen through the eyes of the a/theism debate. In this last section, I will introduce the language of Nishida Kitarō who attempted a similar project in his The Logic of Basho and the Religious Worldview. The goal of this project is to determine what atheism denies, what atheism contributes, and why a multi-faceted and multi-cultural engagement of atheism is important today. (shrink)